All of us could be players on the world stage, nevertheless the question remains why we show the psychological responses to the happenings depicted in the fiction, whether in print or visual presentation, just like in real life? Much enjoy dreams our imaginations become presented to us on the mental screen as if we were watching movies or television. And just as in dreams the real world becomes supplanted by the virtual world even though we are fully alert. That world still has perfect resemblance to the actual one and everything happening in it appears real due to something shifting in our cognition school. However, the mechanism which activates our emotional responses remains unchanged and consequently we react to this fiction in precisely the same manner as in actual life.
Here we have some similarity with the virtual reality of the contemporary computer technology, which can be an artificial environment created by software. It is introduced to the audience in such a manner in which the person temporarily suspends own opinion pattern and takes it as a true atmosphere. In a way it is not different from the phenomenon of being hauled to the imagined world of fiction, except that the computer doing the job is in mind and we have no clue regarding what is the software and who’s your programmer.
This brings us to the cause of psychological reaction. In regard to fiction the most common emotions are likes and dislikes that may become their more powerful types of hate and love. In real life we love or hate someone because of some attachment through kinship, friendship, or even through indirect understanding of the individual. An individual cannot love or hate a person one does not know in any way. Attachment can also be to other living beings, material things, and even to fanciful things. We love or despise a story or even a notion. For an ordinary person it is impossible to live unattached to things in the world. If one can get rid of attachment, one unites the rank of enlightened souls who are indeed rare. We carry our ability and desire for attachment even into the fanciful world of fiction. We view the characters we come to know as the story progresses, form our preferences, and respond in precisely the same way as in real life except that we cannot socialize together physically. But we do socialize together in our minds and hearts out of where the feelings come. We are offering you solid pieces of info here, but do be aware that some are more critical to understanding More Help. Nevertheless, the bottom line is how you want to make use of it, and how much of it will impact your situation. Yet you do realize there is much more to be discovered about this. Yet have more big pieces of the total picture to offer to you, though. What you are about to read will significantly enhance your knowledge, and we will go even past that point, too.
The simple fact is that in a certain sense life itself is fiction. Just like a story it has a beginning, an end, and plenty of stuff in between. We don’t know who writes this fiction will ever understand. So we have an innate affinity with fiction and cannot fully detach ourselves from it. And perhaps that’s why, while studying or viewing fiction we get lost subconsciously in the wonderland of imagination, but for that short period we operate exactly in precisely the exact same manner as we would in the real world of our perception. In that sense fiction is just invented reality.
Theme is the reason fiction matters, because it’s the quality that gives the story a universal appeal. Some state theme is exactly what the story is all about, but that is too ephemeral a definition, which might get confused with the idea or the storyline.
Theme enriches and inspires the reader when saying something profound about the human state. Theme is the abstract concept behind the story forming the narrative’s heart and soul which the exposition, dialogue, and action reflect every opportunity they get.
Theme isn’t the characters or the plot or the first idea that started the narrative. For example, a writer could begin with the idea of exploring family connections between girls, but as his story progresses, his subject may appear as understanding and forgiveness between different generations of guys. There are some topics on which it is very hard to write any kind of story.
Theme is indicated, occasionally without the writer’s understanding of it at the beginning; nonetheless, more seasoned writers usually work on their theme harder than any other part of the story once they catch on to what it is they’re writing about.
In non-fiction, the author is advised to hone in to his subject and start referring to it right at the first paragraph. In fiction, on the other hand, the motif generally blossoms through the writing as the narrative progresses.